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Directing Actors 2-Day Workshop with Peter D. Marshall March 9 – 10, 2013 (Toronto, Canada)

I have partnered again with Raindance Canada (Toronto) to bring you another 2-day advanced directing workshop called Directing Actors.

This directing workshop builds on my previous Advanced Blocking workshop and creates an intense, experiential environment in which directors and actors learn critical skills for working together effectively on set.

Working with actors can be one of the most rewarding experiences for a film director – or one of the most traumatic! And the difference between a good experience and a bad experience usually comes down to one word: TRUST!

Directing Actors Workshop with Peter D. Marshall

Actors begin by trusting the director – and it’s the director’s trust to lose. If an actor feels they cannot trust the director to know a good performance from a bad performance, the actor will begin to monitor his own performances.

And when an actor begins to watch himself, he begins to direct himself – and when he does this, he starts to become Director Proof.

As Mark Travis (author of the book Directing Feature Films) says: “As far as relationships go, I think the one between actors and directors is the most challenging. It is simultaneously demanding and misunderstood.

Yet it’s very clear that actors and directors all have the best of intentions for making this relationship work. I have not met a director who did not have a clear idea of what she wanted. And every actor I have worked with has an intuitive instinct for their character and how a scene can be played.

Why then does this relationship so often begin to fall apart when actors and directors begin talking to each other? The answer is quite simple: different languages and different ideas of how this relationship should or could work.”

And Judith Weston, in her book Directing Actors, says: “All interaction between actor and director is experienced by the actor as direction, so think of every conversation with actors as part of the “rehearsal” process. By “rehearsal” I mean any time spent considering the work seriously.

Rehearsal includes getting to know the actors, not just in a superficial social way, but as human beings and as artists. Take time to get below the social mask with them. Find common ground. Find out their values and ideas. Find out their problems, concerns, and insecurities.”

Directing Actors Workshop with Peter D. Marshall
The main objective of this Directing Actors workshop is to demonstrate how directors and actors can work effectively together to build trust; to maximize performance on set; and understand how to work together cooperatively in a tense, time-sensitive and often challenging creative environment.

On Day One, the focus will be on the Director’s script preparation, as well as live demonstrations of the audition process, the script read-through and the cast rehearsal.

On Day Two, the class will be divided into groups and have the opportunity to participate in directing a scene with professional actors. Each scene will be recorded and played back for discussion and review.

By the end of this 2-day workshop, you should be able to:

– Recognize the importance of the actor/director relationship
– Effectively breakdown and analyze every scene in your script
– Manage a proper casting session that gets results
– Organize a constructive script read-through
– Create productive rehearsals with your actors
– Improve your skills for getting believable performances from actors

Day One – Saturday, March 9 (9:00am – 6:00pm)

1. Introduction
2. The Director/Actor Working Relationship
3. The Film Director’s Performance Mantra
4. REVIEW: The Director’s Script Preparation
5. The Director’s Audition Process
– What Directors Look for in the Casting Session
– How it Works: The Audition (Casting Session)
– How it Works: The First Callback
– How it Works: The Second Callback
– What Directors Look for when Reviewing Auditions
– Creating Good Character Descriptions (Bios)
6. DEMO: How to Conduct a Proper Casting Session
7. DEMO: The Script Read-Through
8. DEMO: The Cast Rehearsal
9. REVIEW: The Blocking and Rehearsal Process
10. The Director’s 8 Part Scene Breakdown Process
11. CLASS WORK: Prepare Scenes for Day 2 Presentations

Day Two – Sunday, March 10 (9:00am – 6:00pm)

1. CLASS EXERCISE: Scene Presentations with Actors
– Participants collaborate to direct a scene with professional actors
– Participants get hands-on directing experience working with professional actors
2. Playback Scene Presentations for Class Review
– The scenes will be recorded for playback and class discussion
– The actors will also participate with creative and constructive feedback
3. That’s a Wrap
– Weekend debriefing session and next step
– On to the pub!

For more information on this workshop, and to find out how to register, please visit Raindance Canada.

{ 5 comments… add one }
  • William Quaye February 4, 2013, 9:59 pm

    I love it.

  • Michael February 27, 2013, 9:12 am

    I dont live in the U.S. But would like so much to attend. You are not going to sell the workshop on a dvd? I would buy it! Is there a chance you going to do that?


  • Peter D Marshall March 1, 2013, 9:19 am

    Michael, Raindance is recording all my workshops. Once they are completed, they will be for sale 🙂

  • Peter D Marshall March 1, 2013, 9:20 am

    Michael, where do you live?

  • saman moradhosseini June 27, 2013, 1:13 pm

    I am director film….

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