“Chemistry Behind the Camera – The Director/DOP Relationship” 2 Day Workshop with Peter D. Marshall August 17 – 18, 2013 (Toronto, Canada)

by Peter D Marshall

dir&cameramanThe Director and the Director of Photography (DOP) relationship is one of the most important collaborative relationships on any film set.

Not only does a director need a DOP who has all the visual and technical skills to make a film “look great,” the smart director also wants a DOP who has the creative sensibility to understand the subtext of the story and the nuances of an actor’s performance.

Like any relationship, every Director and DOP relationship is unique because each one will have their own professional experiences, artistic sensibilities and personal insecurities.

Chemistry Behind the Camera – The Director/DOP Relationship is the next 2-day workshop I will be doing for Raindance Canada and will take place on August 17 & 18, 2013 in Toronto, Canada.

The main objective of this workshop is to demonstrate how a director can create a strong personal, technical and creative working relationship with their Director of Photography.

I will be partnered with DOP Sarah Moffat and together we will show you (through discussion, examples and “role playing”) how the director and the DOP must share a common ground to tell the same story.

By the end of this 2-day workshop, you should be able to:

- Recognize the importance of the Director/DOP Relationship
- Know what questions to ask when hiring a DOP
- Improve your skills when working with a DOP during prep
- Understand how to effectively communicate with a DOP on the set

DAY ONE

On Day One, the focus in the morning will be on discussing the importance of the Director/DOP relationship. In the afternoon, Sarah and I will “role play” the key scenarios in this relationship – from script analysis to location scouting to shooting.

The Director/DOP Relationship

  • Hiring the DOP
  • Creative concept meeting
  • Analyzing the script
  • Creating the director’s vision
  • Budget concerns
  • Working with the crew
  • Working with the cast
  • Location scouts
  • Shot lists and storyboards
  • Set etiquette
  • Post-production relationship

DOP and Director Instructor “Role Play”

  • Script/concept meeting
  • Location scout (Exterior/Interior)
  • Shot lists/storyboards
  • Block/Rehearse/Shoot one scene
  • Divide class into 5 groups to work on scenes for Day 2

DAY TWO

On Day Two, the class will be divided into groups and have the opportunity to participate in directing a scene with professional actors and Sarah as the DOP. Each scene will be recorded and played back for discussion and review.

  • Each group (5) directs a scene with Sarah as DOP (Peter as 1st AD)
  • Last shot of each scene is recorded and then discussed by entire class
  • Playback video of scenes and discuss
  • Wrap up and networking drinks

For more information about this workshop, please visit: Chemistry Behind the Camera – The Director/DOP Relationship

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