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	<title>Filmmaking Tips for the Independent Filmmaker</title>
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	<description>Filmmaking Tips – Film Directing Workshops - Independent Film Resources – Film Making Courses – Film Bookstore - The Director&#039;s Chair Ezine</description>
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		<title>ActionCutPrint has been a Professional Film Directing Resource Center for Indie Filmmakers since 1999</title>
		<link>http://actioncutprint.com/featured/filmmakingcareer/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=filmmakingcareer</link>
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		<pubDate>Fri, 03 Feb 2012 12:57:54 +0000</pubDate>
		<dc:creator>Peter D Marshall</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[film resources]]></category>
		<category><![CDATA[filmmaking tips]]></category>
		<category><![CDATA[independent filmmakers]]></category>
		<category><![CDATA[indie filmmakers]]></category>
		<category><![CDATA[Peter D. Marshall]]></category>

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		<description><![CDATA[Hi, I&#8217;m Peter D. Marshall and I&#8217;ve worked (and survived) in the Film and TV industry for over 38 years: as a Film Director, Television Producer, First Assistant Director and Creative Consultant. (See IMDb Credits.) ActionCutPrint is one of the top film directing websites for Independent Filmmakers on the Internet today featuring online movie making [...]]]></description>
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<p>Hi, I&#8217;m <a href="http://www.imdb.com/name/nm0551106/" target="_blank">Peter D. Marshall</a> and I&#8217;ve worked (and survived) in the Film and TV industry for over 38 years: as a Film Director, Television Producer, First Assistant Director and Creative Consultant. (<a href="http://www.imdb.com/name/nm0551106/" target="_blank">See IMDb Credits</a>.)</p>
<p><strong>ActionCutPrint</strong> is one of the <a href="http://www.google.ca/search?hl=&amp;q=fillm+fi%3Ddiecitng&amp;sourceid=navclient-ff&amp;rlz=1B6_____enCA351CA351&amp;ie=UTF-8#sclient=psy-ab&amp;hl=en&amp;rlz=1B6_____enCA351CA351&amp;source=hp&amp;q=%22film+directing%22&amp;pbx=1&amp;oq=%22film+directing%22&amp;aq=f&amp;aqi=g4&amp;aql=&amp;gs_sm=e&amp;gs_upl=7961l10000l0l10228l2l2l0l0l0l0l199l397l0.2l2l0&amp;bav=on.2,or.r_gc.r_pw.,cf.osb&amp;fp=ccd1063bed4426fd&amp;biw=1277&amp;bih=542" target="_blank">top film directing websites</a> for Independent Filmmakers on the Internet today featuring online movie making courses, film directing articles, film and television books and filmmaking workshops.</p>
<p>In 2000, I started publishing my free monthly film making ezine, <a href="http://actioncutprint.com/subscription/" target="_blank">The Director&#8217;s Chair</a> which is currently read by over 6000 filmmakers in 105 countries around the world. (<a href="http://actioncutprint.com/subscription/" target="_blank">You can read 125 back issues here</a>.)</p>
<p>In 2007, I created my daily filmmaking article blog <a href="http://filmdirectingtips.com" target="_blank">FilmDirectingTips</a> for Independent Filmmakers like yourself. <strong>(As of February 3, <a href="http://filmdirectingtips.com/" target="_blank"><em>1580 film making posts</em></a> have been published on this blog!)</strong></p>
<p>I have also developed several <a href="http://actioncutprint.com/workshops/" target="_blank">filmmaking workshops</a> that I have presented over the past 18 years &#8211; from Canada to Singapore to Dubai. And I am also a directing instructor at the <a href="http://www.vfs.com/programs/film-production/faculty/view/892" target="_blank">Vancouver Film School</a>.</p>
<p>So please <strong>Bookmark this Page Now </strong>or <a href="http://feeds.feedburner.com/ActioncutprintFilmMakingTipsResources" target="_blank"><strong>Subscribe to this Website</strong></a> to get instantly updated on the latest filmmaking articles, film and television resource links, new online filmmaking courses and the latest film production books.</p>
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		<title>Daily Filmmaking Article from FilmDirectingTips.com</title>
		<link>http://actioncutprint.com/film-directing-tips-posts/filmmakingtips/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=filmmakingtips</link>
		<comments>http://actioncutprint.com/film-directing-tips-posts/filmmakingtips/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 12:55:22 +0000</pubDate>
		<dc:creator>Peter D Marshall</dc:creator>
				<category><![CDATA[Film Directing Tips]]></category>
		<category><![CDATA[film production]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[indie filmmakers]]></category>
		<category><![CDATA[indpendent films]]></category>

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		<description><![CDATA[iPhone filmmaking to be showcased at Macworld by Jackson Chan. The iPhone Film Festival will host a screening and Q&#38;A this Friday evening at Macworld &#124; iWorld with an international group of filmmakers who go beyond using their iPhones to capture a pet’s adorable antics or a favorite song at a concert — these filmmakers [...]]]></description>
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<p><a title="Permanent link to iPhone filmmaking to be showcased at Macworld" href="http://filmdirectingtips.com/archives/7162" rel="bookmark">iPhone filmmaking to be showcased at Macworld</a><em> by Jackson Chan.</em> The iPhone Film Festival will host a screening and Q&amp;A this Friday evening at Macworld | iWorld with an international group of filmmakers who go beyond using their iPhones to capture a pet’s adorable antics or a favorite song at a concert — these filmmakers see their phones as a tool to tell a story.</p>
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		<title>Peter’s Recommended Film Making Book of the Week: &#8220;The Film Director&#8217;s Intuition: Script Analysis and Rehearsal Techniques&#8221;</title>
		<link>http://actioncutprint.com/filmmaking-books/peters-recommended-film-making-book-of-the-week-the-film-directors-intuition-script-analysis-and-rehearsal-techniques/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=peters-recommended-film-making-book-of-the-week-the-film-directors-intuition-script-analysis-and-rehearsal-techniques</link>
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		<pubDate>Sun, 29 Jan 2012 12:22:14 +0000</pubDate>
		<dc:creator>Peter D Marshall</dc:creator>
				<category><![CDATA[Filmmaking Books]]></category>
		<category><![CDATA[Judith Weston]]></category>
		<category><![CDATA[The Film Director's Intuition: Script Analysis and Rehearsal Techniques]]></category>

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		<description><![CDATA[. Acclaimed director Judith Weston offers a deeply creative exploration on how to access and stimulate the filmmaker&#8217;s most precious assets: instincts, imagination, and intuition.]]></description>
			<content:encoded><![CDATA[<p></p><p><a href="http://actioncutprint.com/wp-content/uploads/2012/01/41wt+h1ydPL._SL160_.jpg"><img class="alignleft size-thumbnail wp-image-4955" title="41wt+h1ydPL._SL160_" src="http://actioncutprint.com/wp-content/uploads/2012/01/41wt+h1ydPL._SL160_-104x150.jpg" alt="" width="104" height="150" /></a><a class="easyazon-link"  target="_blank" href="http://www.amazon.com/dp/0941188787?tag=actiocutprint">The Film Director&#8217;s Intuition: Script Analysis and Rehearsal Techniques</a>. Acclaimed director Judith Weston offers a deeply creative exploration on how to access and stimulate the filmmaker&#8217;s most precious assets: instincts, imagination, and intuition.</p>
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		<title>SUBSCRIBE to The Director&#8217;s Chair: Latest Article &#8211; &#8220;What Directors Look for in the First Script Read-Through&#8221;</title>
		<link>http://actioncutprint.com/the-directors-chair/subscribe-to-the-directors-chair/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=subscribe-to-the-directors-chair</link>
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		<pubDate>Sun, 15 Jan 2012 12:57:13 +0000</pubDate>
		<dc:creator>Peter D Marshall</dc:creator>
				<category><![CDATA[The Director's Chair]]></category>
		<category><![CDATA[filmmaking tips]]></category>

		<guid isPermaLink="false">http://actioncutprint.com/?p=2085</guid>
		<description><![CDATA[The feature article in this month’s issue of &#8220;The Director&#8217;s Chair&#8220; is called What a Director Looks for in the First Script Read-Through: &#8220;A director needs to understand every detail about the story you are telling. And in order to understand the script, a director needs to be able to operate in the sub-world of the characters.&#8221; [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><a href="http://actioncutprint.com/subscription/"><img class="size-thumbnail wp-image-2408 alignright" title="The Director's Chair Ezine" src="http://actioncutprint.com/wp-content/uploads/2009/12/tdc1-118x150.gif" alt="" width="118" height="150" /></a>The feature article in this month’s issue of &#8220;<a href="http://actioncutprint.com/subscription/" target="_blank"><strong>The Director&#8217;s Chair</strong></a>&#8220; is called <strong>What a Director Looks for in the First Script Read-Through: </strong>&#8220;A director needs to understand every detail about the story you are telling. And in order to understand the script, a director needs to be able to operate in the sub-world of the characters.&#8221;</p>
<p><a href="mailto:directors-chair@aweber.com?subject=acp" target="_blank"><strong>SUBSCRIBE</strong> <strong>to the current issue of “The Director’s Chair</strong></a>” and get two free bonuses: (1) Day One of my 220 page Online film directing audio course, <strong><em>“The Art and Craft of the Director Audio Seminar”</em></strong> and (2) the first 26 pages (plus mp3 audio) of my 155 page <strong><em>“Script Breakdown and Film Scheduling Online Course For Independent Filmmakers.”</em></strong></p>
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		<title>Peter’s Recommended Film Making Book of the Week: Save The Cat! The Last Book on Screenwriting You&#8217;ll Ever Need</title>
		<link>http://actioncutprint.com/filmmaking-books/peters-recommended-film-making-book-of-the-week-save-the-cat-the-last-book-on-screenwriting-youll-ever-need/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=peters-recommended-film-making-book-of-the-week-save-the-cat-the-last-book-on-screenwriting-youll-ever-need</link>
		<comments>http://actioncutprint.com/filmmaking-books/peters-recommended-film-making-book-of-the-week-save-the-cat-the-last-book-on-screenwriting-youll-ever-need/#comments</comments>
		<pubDate>Sun, 15 Jan 2012 12:22:20 +0000</pubDate>
		<dc:creator>Peter D Marshall</dc:creator>
				<category><![CDATA[Filmmaking Books]]></category>
		<category><![CDATA[Save The Cat! The Last Book on Screenwriting You'll Ever Need]]></category>

		<guid isPermaLink="false">http://actioncutprint.com/?p=4949</guid>
		<description><![CDATA[is the ultimate insider&#8217;s guide reveals the secrets that none dare admit, told by a show biz veteran who&#8217;s proven that you can sell your script if you can save the cat!]]></description>
			<content:encoded><![CDATA[<p></p><p><a class="easyazon-link"  target="_blank" href="http://www.amazon.com/dp/1932907009?tag=actiocutprint"><img src="http://actioncutprint.com/wp-content/uploads/2012/01/savecat1.jpg" class="alignnone" alt="Amazon Image" height="160" width="107"  /></a><a class="easyazon-link"  target="_blank" href="http://www.amazon.com/dp/1932907009?tag=actiocutprint">Save The Cat! The Last Book on Screenwriting You&#8217;ll Ever Need</a> is the ultimate insider&#8217;s guide reveals the secrets that none dare admit, told by a show biz veteran who&#8217;s proven that you can sell your script if you can save the cat!</p>
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		<title>Peter’s Recommended Film Making Book of the Week: “Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know”</title>
		<link>http://actioncutprint.com/filmmaking-books/peters-recommended-film-making-book-of-the-week-cinematic-storytelling-the-100-most-powerful-film-conventions-every-filmmaker-must-know/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=peters-recommended-film-making-book-of-the-week-cinematic-storytelling-the-100-most-powerful-film-conventions-every-filmmaker-must-know</link>
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		<pubDate>Mon, 09 Jan 2012 12:54:12 +0000</pubDate>
		<dc:creator>Peter D Marshall</dc:creator>
				<category><![CDATA[Filmmaking Books]]></category>
		<category><![CDATA[Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know]]></category>
		<category><![CDATA[filmmaking books]]></category>

		<guid isPermaLink="false">http://actioncutprint.com/?p=4943</guid>
		<description><![CDATA[by Jennifer Van Sijll. What the industry&#8217;s most successful writers and directors have in common is that they have mastered the cinematic conventions specific to the medium.]]></description>
			<content:encoded><![CDATA[<p></p><p><a class="easyazon-link"  target="_blank" href="http://www.amazon.com/dp/193290705X?tag=actiocutprint"><img src="http://ecx.images-amazon.com/images/I/51RAJ2Ew%2BZL._SL160_.jpg" class="alignleft" alt="Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know" height="113" width="160"  /></a> <a class="easyazon-link"  target="_blank" href="http://www.amazon.com/dp/193290705X?tag=actiocutprint">Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know</a> by Jennifer Van Sijll. What the industry&#8217;s most successful writers and directors have in common is that they have mastered the cinematic conventions specific to the medium.</p>
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		<title>Podcast and Chat Text of the Live Filmmaking Chat from Monday, Jan. 9, 2012 with Special Guest Trilby Jeeves (The Actor &amp; Director Relationship-Part 2)</title>
		<link>http://actioncutprint.com/uncategorized/livefilmmakingchat3-actor-director-relationship/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=livefilmmakingchat3-actor-director-relationship</link>
		<comments>http://actioncutprint.com/uncategorized/livefilmmakingchat3-actor-director-relationship/#comments</comments>
		<pubDate>Mon, 09 Jan 2012 12:53:06 +0000</pubDate>
		<dc:creator>Peter D Marshall</dc:creator>
				<category><![CDATA[Live Chat]]></category>
		<category><![CDATA[Actor & Director Relationship]]></category>

		<guid isPermaLink="false">http://actioncutprint.com/?p=4937</guid>
		<description><![CDATA[Here is the link to the podcast of the Live Chat from Monday, January 9, 2012 TOPIC: The Actor &#38; Director Relationship-Part 2 NOTE: Unfortunately, the audio for Trilby Jeeves did not record so there are blank spots on the audio recording track ============ NOTE: This Live Chat has been completed. I would like you [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><strong>Here is the link to the podcast of the Live Chat from Monday, January 9, 2012<a href="http://actioncutprint.com/Live%20Chat/01-09-12.mp3" target="_blank"><strong> TOPIC: The Actor &amp; Director Relationship-Part 2</strong></a></strong></p>
<p><strong><strong><span style="text-decoration: underline;">NOTE</span>: Unfortunately, the audio for Trilby Jeeves did not record so there are blank spots on the audio recording track <img src='http://actioncutprint.com/wp-includes/images/smilies/icon_sad.gif' alt=':(' class='wp-smiley' />  </strong><a href="http://actioncutprint.com/Live%20Chat/01-09-12.mp3" target="_blank"><strong><br />
</strong></a></strong></p>
<p><strong>============</strong></p>
<p><strong>NOTE: This Live Chat has been completed</strong>.</p>
<p>I would like you to join me and my special guest, <a href="http://buffooneryworkshops.com/" target="_blank"><strong>Trilby Jeeves</strong></a>, for a <strong>Live Online Chat </strong>on Monday, January 9 from 7:00pm-9:00pm PST. (Los Angeles/Vancouver time.)</p>
<p><strong>TOPIC: <strong>The Actor &amp; Director Relationship</strong></strong> <strong>- Part 2</strong></p>
<p>What do actors want from this relationship?</p>
<p>TRUST!</p>
<p>If actors feel they cannot trust the director to know a good performance from a bad performance, they will begin to monitor their own performances. And when actors begin to watch themselves, they also begin to direct themselves &#8211; they become “Director Proof.”</p>
<p>To find a character they are playing, an actor must surrender completely to feelings and impulses. A good director understands an actor’s vulnerability and creates a safe place for them to perform.</p>
<p>Actors want to work with someone who understands them and their vulnerability. And good actors will often take their time before deciding if they can trust you.</p>
<p><strong>To sign in to the chat on Monday night</strong>, look at the bottom right of this page and you will see a <strong>blue bar</strong> that will say &#8220;<strong><em>Live Chat &#8211; Monday, Jan. 9 (7-9pm PST</em></strong>&#8220;). Just click on that link and sign up to the chat room by either using your Facebook or Twitter account.<strong> </strong></p>
<p><strong>If you don&#8217;t see the blue bar</strong> at the bottom of this page, please refresh your browser. If you still cannot see the blue bar at the bottom of the page, please email me at <a href="mailto:pdm@actioncutprint.com">pdm@actioncutprint.com</a> and let me know.</p>
<p>So please mark your calendar for Monday, January 9, 2012 from 7:00pm-9:00pm PST. I look forward to seeing you there.</p>
<h3>Facebook Page: Live Online Filmmaking Chats</h3>
<p>I have also created a <a href="https://www.facebook.com/livefilmmakingchats" target="_blank"><strong>Live Online Filmmaking Chats</strong></a> <strong>Facebook Page</strong> where you can post questions, answer questions and add interesting filmmaking resources. I will also be posting any relevant links here for you to use.</p>
<p>Remember, this <a href="https://www.facebook.com/livefilmmakingchats" target="_blank"><strong>Facebook Page</strong></a> is for all of us to share our knowledge – and learn from others.</p>
<p>Cheers,</p>
<p>Peter</p>
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		<title>Podcast and Chat Text of the Live Filmmaking Chat from Monday, December 19, 2011 (The Actor &amp; Director Relationship)</title>
		<link>http://actioncutprint.com/uncategorized/livefilmmakingchat2-actor-director-relationship/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=livefilmmakingchat2-actor-director-relationship</link>
		<comments>http://actioncutprint.com/uncategorized/livefilmmakingchat2-actor-director-relationship/#comments</comments>
		<pubDate>Mon, 19 Dec 2011 12:55:00 +0000</pubDate>
		<dc:creator>Peter D Marshall</dc:creator>
				<category><![CDATA[Live Chat]]></category>
		<category><![CDATA[Actor & Director Relationship]]></category>

		<guid isPermaLink="false">http://actioncutprint.com/?p=4934</guid>
		<description><![CDATA[Here is the link to the podcast of the Live Chat from Monday, Dec. 19, 2011 TOPIC: The Actor &#38; Director Relationship ============ &#160; NOTE: This Live Chat has been completed. &#160; I would like you to join me for a Live Online Chat on Monday, December 19 from 7:00pm-9:00pm PST. (Los Angeles/Vancouver time.) TOPIC: [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><strong>Here is the link to the podcast of the Live Chat from Monday, Dec. 19, 2011<br />
<a href="http://actioncutprint.com/Live%20Chat/12-19-11.mp3" target="_blank"><strong>TOPIC: The Actor &amp; Director Relationship</strong></a></strong></p>
<p><strong>============</strong></p>
<p>&nbsp;</p>
<p><strong>NOTE: This Live Chat has been completed</strong>.</p>
<p>&nbsp;</p>
<p>I would like you to join me for a <strong>Live Online Chat </strong>on Monday, December 19 from 7:00pm-9:00pm PST. (Los Angeles/Vancouver time.)</p>
<p><strong>TOPIC: <strong>The Actor &amp; Director Relationship</strong></strong>.</p>
<p>What do actors want from this relationship?</p>
<p>TRUST!</p>
<p>If actors feel they cannot trust the director to know a good performance from a bad performance, they will begin to monitor their own performances. And when actors begin to watch themselves, they also begin to direct themselves &#8211; they become “Director Proof.”</p>
<p>To find a character they are playing, an actor must surrender completely to feelings and impulses. A good director understands an actor’s vulnerability and creates a safe place for them to perform.</p>
<p>Actors want to work with someone who understands them and their vulnerability. And good actors will often take their time before deciding if they can trust you.</p>
<p><strong>To sign in to the chat on Monday night</strong>, look at the bottom right of this page and you will see a <strong>blue bar</strong> that will say &#8220;<strong><em>Live Chat &#8211; Monday, Dec. 19 7-9pm PST</em></strong>&#8220;. Just click on that link and sign up to the chat room by either using your Facebook or Twitter account.<strong> </strong></p>
<p><strong>If you don&#8217;t see the blue bar</strong> at the bottom of this page, please refresh your browser. If you still cannot see the blue bar at the bottom of the page, please email me at <a href="mailto:pdm@actioncutprint.com">pdm@actioncutprint.com</a> and let me know. I have just started testing this live chat program so I don&#8217;t know all the bugs yet. I do know that Firefox, Google Chrome and Safari work well.</p>
<p>So please mark your calendar for Monday, December 19 from 7:00pm-9:00pm PST. I look forward to seeing you there.</p>
<h3>Facebook Page: Live Online Filmmaking Chats</h3>
<p>I have also created a <a href="https://www.facebook.com/livefilmmakingchats" target="_blank"><strong>Live Online Filmmaking Chats</strong></a> <strong>Facebook Page</strong> where you can post questions, answer questions and add interesting filmmaking resources. I will also be posting any relevant links here for you to use.</p>
<p>Remember, this <a href="https://www.facebook.com/livefilmmakingchats" target="_blank"><strong>Facebook Page</strong></a> is for all of us to share our knowledge – and learn from others.</p>
<p>Cheers,</p>
<p>Peter</p>
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		<title>Peter’s Recommended Film Making Book of the Week: &#8220;The Film Director Prepares: A Practical Guide to Directing for Film and TV&#8221;</title>
		<link>http://actioncutprint.com/featured/the-film-director-prepares-a-practical-guide-to-directing-for-film-and-tv/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-film-director-prepares-a-practical-guide-to-directing-for-film-and-tv</link>
		<comments>http://actioncutprint.com/featured/the-film-director-prepares-a-practical-guide-to-directing-for-film-and-tv/#comments</comments>
		<pubDate>Sun, 18 Dec 2011 12:26:55 +0000</pubDate>
		<dc:creator>Peter D Marshall</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Filmmaking Books]]></category>
		<category><![CDATA[filmmaking book]]></category>
		<category><![CDATA[The Film Director Prepares: A Practical Guide to Directing for Film and]]></category>
		<category><![CDATA[The Film Director Prepares: A Practical Guide to Directing for Film and TV]]></category>

		<guid isPermaLink="false">http://actioncutprint.com/?p=4935</guid>
		<description><![CDATA[From script analysis to post production, here is the all-inclusive guide to directing for film and television. Written by noted director-producer Myrl Schreibman,  offers practical insights on filmmaking, using real-life examples.]]></description>
			<content:encoded><![CDATA[<p></p><p><a class="easyazon-link"  target="_blank" href="http://www.amazon.com/dp/1580650678?tag=actiocutprint"><img src="http://ecx.images-amazon.com/images/I/41KsLbnJ3oL._SL160_.jpg" class="alignleft" alt="The Film Director Prepares: A Practical Guide to Directing for Film and TV" height="160" width="107"  /></a> From script analysis to post production, here is the all-inclusive guide to directing for film and television. Written by noted director-producer Myrl Schreibman, <strong><a class="easyazon-link"  target="_blank" href="http://www.amazon.com/dp/1580650678?tag=actiocutprint">The Film Director Prepares</a></strong> offers practical insights on filmmaking, using real-life examples.</p>
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		<title>Podcast and Chat Text of the Live Filmmaking Chat from Monday, December 12, 2011 “The top 3 qualities directors look for when casting actors”</title>
		<link>http://actioncutprint.com/uncategorized/livefilmmakingchat1-castingactors/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=livefilmmakingchat1-castingactors</link>
		<comments>http://actioncutprint.com/uncategorized/livefilmmakingchat1-castingactors/#comments</comments>
		<pubDate>Mon, 12 Dec 2011 12:58:53 +0000</pubDate>
		<dc:creator>Peter D Marshall</dc:creator>
				<category><![CDATA[Live Chat]]></category>

		<guid isPermaLink="false">http://actioncutprint.com/?p=4921</guid>
		<description><![CDATA[Here is the link to the podcast of the Live Chat from Monday, Dec. 12, 2011 The top 3 qualities directors look for when casting actors ============ &#160; NOTE: This Live Chat has been completed. &#160; I would like you to join me for a Live Online Chat on Monday, December 12 from 7:00pm-9:00pm PST. [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><strong>Here is the link to the podcast of the Live Chat from Monday, Dec. 12, 2011<br />
<a href="http://actioncutprint.com/Live%20Chat/12-12-11.mp3" target="_blank"><strong>The top 3 qualities directors look for when </strong> casting actors</a></strong></p>
<p><strong>============</strong></p>
<p>&nbsp;</p>
<p><span style="text-decoration: underline;"><strong>NOTE: This Live Chat has been completed</strong></span>.</p>
<p>&nbsp;</p>
<p>I would like you to join me for a <strong>Live Online Chat </strong>on Monday, December 12 from 7:00pm-9:00pm PST. (Los Angeles/Vancouver time.)<a href="http://actioncutprint.com/wp-content/uploads/2011/12/action.jpg"><img class="alignright size-thumbnail wp-image-4922" title="action" src="http://actioncutprint.com/wp-content/uploads/2011/12/action-150x150.jpg" alt="" width="150" height="150" /></a></p>
<p><strong>TOPIC: &#8220;<strong>The top 3 qualities directors look for when </strong> casting actors</strong>.&#8221;</p>
<p>Casting is the “bottleneck” of the film industry. It’s a place where both sides of the table have only a few minutes to make choices &#8211; choices that can affect all of our careers.</p>
<p>The Casting session (the “audition&#8221;) can be a terrifying place for any actor. It takes a lot of guts to walk into a small, windowless room and have 5 &#8211; 10 minutes to &#8220;show your stuff&#8221; in front of complete strangers.</p>
<p>But it’s just as tough for the Director and Producers as well! How can we correctly decide, in less than 10 minutes, who is right for a particular part?</p>
<p>In this live chat, <strong>we will discuss the top three qualities</strong> director’s look for in an actor during the audition:</p>
<p>1) Do they look the part?<br />
2) Do they have range?<br />
3) Can they take direction?</p>
<p>Casting sessions are also a very useful way to improve your script. When you listen to actors performing a scene in the script, you get a real feel for the words and how they flow when different actors read the same scenes. You can see (or hear) what works and what doesn’t. It is from the casting session that many of your script changes will happen.</p>
<p><strong>To sign in to the chat on Monday night</strong>, look at the bottom right of this page and you will see a <strong>blue bar</strong> that will say &#8220;<strong><em>Live Chat &#8211; Monday, Dec. 12 (7pm PST)</em></strong>&#8220;. Just click on that link and sign up to the chat room by either using your Facebook or Twitter account.<strong> </strong></p>
<p><strong>If you don&#8217;t see the blue bar</strong> when you first arrive at my website, please refresh your browser. If you still cannot see the blue bar at the bottom of the page, please email me at <a href="mailto:pdm@actioncutprint.com">pdm@actioncutprint.com</a> and let me know. I have just started testing this live chat program so I don&#8217;t know all the bugs yet. I do know that Firefox, Google Chrome and Safari work well.</p>
<p>So please mark your calendar for Monday, December 12 from 7:00pm-9:00pm PST. I look forward to seeing you there.</p>
<h3>Live Online Chat &#8211; Filmmakers Discussion Forum</h3>
<p>I have also created a <a href="http://filmdirectingtips.com/indiefilmmakersforum#/live-online-chat-discussion-foru/" target="_blank"><strong>Live Online Chat Discussion Forum</strong></a> for anyone who participated in my Live Online Filmmaking Chats. I will also be posting any relevant links and other resources from Live Chat sessions here.</p>
<p>Please drop in to ask additional filmmaking questions &#8211; and answer questions as well! Also, please post your own resources here for others to use. Remember, this Discussion Forum is for all of us to share our knowledge – and learn from others.</p>
<p>Peter</p>
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